Isda has lived inside an opera house since she was a baby. She was born with a magical ability to extract the memories of others, and since these magic wielders are feared and easily recognized by their facial differences, she was left in a well at birth to die, standard practice for any baby born with this rare, but dangerous gift. Isda was saved by Cyril, and the only world she knows is the one that he tells her he saved her from. If she was ever discovered, both her and Cyril would be executed. Isda longs to share her own voice and music with the world, just as the opera singers are able to do, and when she meets Emeric, an aspiring performer, she decides to befriend him and become his tutor, hiding her own identity behind a mask. While he sings, Isda is able to use her ability to explore Emeric’s memories and soon discovers that the world may not be as Cyril has told her. Her friendship with Emeric motivates her to explore and expand her abilities and plan for a potential escape from her lonely and unfulfilling existence in the darkness, but a life in the light may require Isda to become the monster the world fears that she is.
THOUGHTS: Sing Me Forgotten is a twist on The Phantom of the Opera, but it also reminds me of The Hunchback of Notre Dame. In this retelling, the “phantom” is a young girl who has lived alone her entire life, but when she learns the truth about the world around her, this angel of music quickly becomes a monster and walks a fine line between being a hero and becoming a villain. Readers will finish this one with tears in their eyes, a craving for warm caramel candies, and perhaps a desire to watch an adaptation of the original tale that inspired this new, stand alone fantasy.
Fantasy Emily Hoffman, Conestoga Valley SD