YA – The Obsession

San Jessie Q. The Obsession. Sourcebooks, 2021. 307 p. $10.99  978-1-728-21516-7. Grades 9-12.

Logan is suffering from the loss of his true love Sophie, who died by suicide two years ago. His friends don’t understand, he’s tired of trying to pretend he’s ok, and he wonders what’s left for him. Then he sees her: Delilah. Suddenly, everything is magical again. He hasn’t spoken to her beyond a brief hello, but he knows: She is the One. He begins watching her, learning her every perfect move, knowing her schedule and–from social media–her favorite music, foods, and more. Just as he did with Sophie (in fact, she’s almost Sophie’s twin), he orbits Delilah and must learn all he can about her. Logan is a true romantic.  Delilah is busy dealing with her own family problems: Since her dad died, her mom has fallen into an abusive relationship with police officer Brandon, who treats them both horribly and is convincing her mother to quit her job, have a baby, and leave the finances in his control. Delilah can’t stand how frightened of him they are. Meanwhile, Logan sets up cameras on Delilah’s house to protect his cherished girl, and that is how he witnesses the death of Brandon–aided by Delilah. Logan enchants Delilah on one perfect date (obviously easy, since he knows all her preferences), but then he reveals his secret video.  Delilah is horrified and trapped–or is she? She’s had enough of being controlled by fear, and by men. What if the perfect girl is the perfect murderer? Logan may not see the break-up coming.

THOUGHTS: Watching this story play out is interesting to see whether Logan or Delilah will gain the upper hand. How can one out-maneuver the other? Recommended as an alternative to the typical rom-com!

Suspense Fiction            Melissa Scott, Shenango Area SD

Haydu, Corey Ann. One Jar of Magic. Harper Collins, 2021. $16.99 978-0-062-68985-6. Grades 5-8.

Rose Alice Anders isn’t just Rose. She is “Little Luck,” so nicknamed by her father, the luckiest man in Belling Bright, the most magical place in the world. Her father has the most knowledge of magic in this town where magic is revered and frequently used for everything from improving hair quality to crafting a rainbow (though her father cautions Rose and her brother Lyle that interfering with weather is too dangerous). All her life Rose has been striving to live up to her father’s belief that she will be the most magical in their family. Her status–and her father’s–brings ‘honor’ but also trouble into her friendships. So when the new year arrives in her twelfth year, Rose both longs for the day and dreads it for the pressure. Yes, she is magical, yes, her father has answers, but something doesn’t feel right, though she’d never admit it. The town’s New Year’s Day comes, and everyone is out to capture magic in jars of any color or size. Some magic sparkles, some changes colors, some seems to enchant just by being. Rose goes straight to Too Blue Lake, where she’s certain she, of all people, will manage to fill jar after jar after jar. But as the day goes on and her friends gather jars, and her brother tries to help her (should she be grateful or insulted?), Rose is fearful to come to the feast with just one jar of magic. She can feel her father’s anger. To appease his anger, her mother takes Rose and Lyle home, stopping at a store run by “not-meant-for-magic’ people. Though the store is nearby, Rose has never been there and never met these people. Her shame at failing to live up to her name and her heritage mixes with her curiosity in these people, who seem so….free. She wants to see Zelda–the daughter of the family–again, but knows her father (and the town) forbids it. What is going on in her family and in her town?  Where does Rose belong and how can she take a stand when she’s not sure of anything?

THOUGHTS: Haydu crafts a very real town full of questions, possibilities and dangers.  She presents the confusing family dynamics well, as Rose struggles to reconcile her hesitations and doubts with her father’s certainty, her mother’s acquiescence, her brother’s kindness, and the town’s solidarity. Who is she, if she’s not Little Luck?

Magical Realism Fiction          Melissa Scott, Shenango Area SD

YA – The Girls I’ve Been

Sharpe, Tess. The Girls I’ve Been. Putnam, 2021. 9780593353806. $18.99. 356 p. Grades 9 and up.

Two armed men enter a bank in a sleepy rural California town assuming they’ll find the bank manager and easily coerce him into taking them to their target – a safe deposit box. The manager hasn’t arrived yet though, and who they DO find is teenager Nora O’Malley. She’s not just any teenage girl. She’s not even Nora O’Malley – depending on how you look at it. Nora spent most of her life playing the roles of different girls with her con-artist mother until her half-sister extracted her from the situation four years ago. As she tries to adjust to a “normal” life and put her past behind her, her biggest problem has been the current awkwardness between her and her ex-boyfriend but now best friend Wes because she’d been lying to him about her new relationship with their other friend, Iris. Thrust into a serious hostage situation with her friends, Nora is forced to resurrect her old identities if she wants any chance of getting them out of this alive.

THOUGHTS: A wild page-turner for fans of the thriller genre. The well-crafted plot alternates from Nora’s past to the present, and it all ties together in the end. It also tackles domestic abuse from multiple angles as all of the three teenage main characters have struggled with it in some form.

Realistic Fiction          Sarah Strouse, Nazareth Area SD

MG – Santiago’s Road Home

Diaz, Alexandra. Santiago’s Road Home. Simon & Schuster Books for Young Readers, 2020. 978-1-534-44623-6. $17.99. 325 p. Grades 5-8.

Once more author Alexandra Diaz raises our consciousness about the plight of Central American immigrants in our country at this critical time. As she did in The Only Road and Crossroads, Diaz gives a fact-based novel of Santiago Garcia Reyes’s escape from domestic abuse in Mexico through the desert to the detention centers of New Mexico. She does not pull any punches describing the sacrifices and suffering Santiago endures as he makes his way to America with newfound “family” Maria Dolores and her five-year-old daughter, Alegria. After being thrown out once again from a relative’s home where he worked as a free babysitter, Santiago refuses to return to his abusive, neglectful grandmother. Instead, he makes the acquaintance of the kind and generous Maria Dolores and her young daughter and convinces her to take him as they migrate to the United States where Maria Dolores’s sister owns a restaurant. For the first time since his Mami died when he was five-years-old, Santiago feels loved and cared for; and he reciprocates by being the protective big brother. By working in the cheap tavern at the crossroads, he discovers Dominquez, the best coyote to help them cross. Unfortunately, rival coyotes kill Dominquez, leaving the refugees abandoned just shy of the border. Diaz describes the arduous and dangerous journey through the desert, dodging border patrol officers and experiencing dehydration and hunger under a blistering sun. Their efforts end in hospitalization and detention. Again, Diaz intertwines facts and realistic representation about the conditions children suffer in the detention centers, yet maintains both the negative and positive aspects. Some of the detention center guards are kind; some are arrogant brutes. Minor characters like an interested teacher and volunteering lawyers give the story balance. The distress and maltreatment of Santiago as he lingers in detention as well as his brave struggle to belong to a loving family is heart wrenching and sure to instill empathy and compassion toward a timely situation. Includes a glossary of Spanish terms and extensive resources.

THOUGHTS: Diaz’s writing has a way of creating a fully developed character and a well-rounded setting that arouses true sympathy in readers. This book can provide a reference point to discussions of undocumented immigrants, refugees, migration to America as well as current events around asylum seekers and their reasons for immigration.

Realistic Fiction          Bernadette Cooke, School District of Philadelphia

YA – Ever Cursed

Haydu, Corey Ann. Ever Cursed. Simon & Schuster, 2020. 978-1-534-43703-6. $18.99. 296 p. Grades 9-12.

Five princesses have been cursed, the queen is trapped in a glass box, and the spell is almost turning true. Jane, Alice, Nora, Grace, and Eden have all been cursed by a young witch to be without something: food, sleep, love, memory, and hope. Jane, the oldest, has been without food for five years, and the sisters finally have the opportunity to break their spell before it turns true and becomes permanent. Jane and her sisters are forced to work with the young witch, Raegan, who cursed them five years ago. To break the spell, they must collect a clock from the oldest, a tear from the saddest, a lock of hair from the most beautiful, and a crown from the richest. But, the kingdom of Ever is under a spell far more threatening than any cast by a witch, and the sisters soon discover the terrible truths about their own kingdom and the one person they thought they knew best.

THOUGHTS:  Although Ever Cursed appears to be a fairy tale, this is mainly a book about sexual assault and the abuse of power, and their patriarchal world is not so unlike our own. The beginning of the book includes a content warning for readers explaining that this book may also be triggering for anyone who is currently or previously struggling with an eating disorder. Overall, the strong, female characters in this book have to come to terms with some hard truths, but they are able to work together to expose the real evil plaguing their kingdom.

Fantasy          Emily Hoffman, Conestoga Valley SD

YA – Where We Are

McGhee, Alison. Where We Are. Atheneum/A Caitlyn Dlougy Book, 2020. 978-1-534-44612-0. $18.99. Grades 7-10.

Micah and Sesame had a plan. If Micah and his parents mysteriously disappeared from their home in present-day, downtown Minneapolis, Micah would text Sesame and she would find him. When Deacon comes to escort the Stone family to the South Compound, he confiscates their cell phones so Micah leaves a cryptic note on the wipe-off board on the refrigerator. The Stones have joined a cult that scorns all worldly things—even pencils—and cower and obey the harsh and unreasonable mandates of one man they call the Prophet. Not Micah. He resists and accumulates so many infractions for what the cold and domineering Prophet deems insubordination that the young man barely exists in solitary confinement. Though free, Sesame Gray lives a secret life. After her mother dies (she calls her grandmother because the woman was older when she adopted Sesame), she concocts stories so that neither her friends nor her solicitous neighbors suspect she is living alone in an abandoned garage. Throughout the book, Sesame reflects on both her grandmother’s goodness and also her habit of keeping them isolated and self-sufficient. That behavior serves Sesame well in her current situation, but her experience relying on others to help in the search for Micah brings a new realization that every person needs to depend on someone. High school seniors and sweethearts, Micah and Sesame narrate this curious story in alternating chapters: faithful Sesame on the outside, remains single-mindedly determined to find her lost boyfriend; resilient Micah, imprisoned in a basement laundry and wasting away, continues to leave clues, sure Sesame will find him. In the hands of a different writer, this book about cults and loss would be a toss off. Author Alison McGhee’s writing pulls the reader along this strange tale and makes us care about these two sensitive and insightful characters. Still, the subject manner is very particular and though there is the element of romance, their love is played out through devotion rather than a relationship, leaving the book with limited appeal. It is unclear what ethnicity the characters are (the cult and its members seem white); two neighbor couples are gay; it all is seamless.

THOUGHTS:  I have read other books by Ghee (Maybe a Fox), and admired her unique plot selections. A hide-and-seek love story centered around a cult but not really about the cult is unique, but not so interesting. The fact that present-day Minneapolis is the focal point of so much foment, violence, and pain, and Ghee picks that city to be the setting for a cult/kidnap/romance seems to me an odd-and avoidable-choice. The dust jacket states Ms. McGhee splits her residence between Minneapolis and another place, so perhaps the setting doesn’t matter. Though I couldn’t, I thought these factors promoted this book: subtle but solid theme, good writing, clever idea of creative Sesame to leave poems boxes around town, appealing characters. Like McGhee’s other books, this one fits only a narrow audience. 

Realistic Fiction Bernadette Cooke, School District of Philadelphia

YA – Girl, Unframed

Caletti, Deb. Girl, Unframed. Simon Pulse, 2020. 978-1-534-42697-9. 368 p. $18.99. Grades 9-12.

Can you imagine if your mom was famous? Like moviestar-famous? Sydney doesn’t usually have to deal with her mom and her drama, but she’s going to visit her for the summer. Before setting eyes on her mom, the newest man in Lila’s life picks Sydney up from the airport, and it’s all downhill from there. From shady art dealings to rejected credit cards, Sydney misses her friends from home. Luckily, she befriends a guy working construction next door because shady art dealings quickly become the least of their worries. It’s as if Lila’s movie script has come to life, but crimes of passion are still crimes.

THOUGHTS: There is a lot of heaviness to unpack in this story, from women who prioritize beauty over motherhood and men treating women like objects, not to mention murder. A good addition for high school libraries looking for YA thrillers that are also coming of age stories.

Mystery          Samantha Hull, Ephrata Area SD

MG – #MOVEMENTS (Series NF)

#MOVEMENTS. ABDO Publishing, 2020. $20.95 ea. $125.70 set of 6 (library bound). 32 p. Grades 5-9.

Borgert-Spaniol, Megan. #MeToo: Unveiling Abuse. 978-1-532-11931-6.
Felix, Rebecca. #Pride: Championing LGTBQ Rights. 978-1-532-11933-0.
—. #WomensMarch: Insisting on Equality. 978-1-532-11934-7.
Rusick, Jessica. #IAmAWitness: Confronting Bullying. 978-1-532-11930-9.
Thomas, Rachel L. #BlackLivesMatter: Protesting Racism. 978-1-532-11929-3.
—. #NeverAgain: Preventing Gun Violence. 978-1-532-11932-3.

This new series takes a look at the hottest topics of 2020. The #movements series takes hashtags that are trending on social media and brings awareness to social justice issues such as bullying, racism, and more. Each title provides an overview of the topic and introduces people who are champions for social justice. The books provide a look into how these movements came into being and provide information regarding the reasons why we fight for certain rights.

THOUGHTS: This series would be a great addition to a middle school library. These titles can help the younger generation be champions for the future. The simple text is easy to read and comprehend, which would make it a great series for struggling readers who have an interest in social justice.

306.76 Culture & Institutions          Jillian Gasper, Northwestern Lehigh SD

YA – Heartstopper #1

Oseman, Alice. Heartstopper # 1. Graphix, 2020. 978-1-338-61743-6. 288 p. $14.99. Grades 8-12.

Fans of romance and coming of age stories, go no further. Oseman’s volume one of the Heartstopper series will do just that: stop your heart. This light take on a young man coming out to his school before he was really ready, dives into male friendships and more within a school setting. The story is set in England and revolves around a rugby team so there is slang that might be lost on some readers. This is a great story of male friendship that broadens into something more. Although school isn’t always a safe place, Oseman reminds us that there are people to be safe with. It’s important to note that this is a story revolving around gay high school students and that includes the abuse, both physical and verbal that still occurs, especially for individuals who are trying to figure themselves out. Oseman leaves the reader hanging and ready for volume two.

THOUGHTS: This is a great addition to high school libraries who are looking to make their graphic novel collection more realistic. In addition, this is a great mirror into the thoughts and feelings adolescents may have while discovering their sexual preferences and navigating the rough seas of high school.

Graphic Novel          Samantha Hull, Ephrata Area SD

MG – When You Know What I Know

Solter, Sonja. When You Know What I Know. Little, Brown & Company, 2020. 212 p. $16.99. 978-0316-53544-1 Grades 5-8.

Ten-year-old Tori is struggling with the aftermath of sexual abuse by her once-favorite uncle. She feels shame, anger, loss, sadness, and fear. She tells her mom, who is reluctant to believe her, and her grandmother takes her uncle’s side. Since her single mom relied on Tori’s grandmother and uncle for any childcare for Tori and her eight-year-old sister Taylor, the family strain increases. Their responses make Tori feel worse: “Maybe I shouldn’t have told,” and her secret is building a wedge between her and her friends as well. This novel told in verse reveals her confusion and pain without being specific about the incident. Eventually, another girl accuses her uncle of abuse, and Tori finds a freeing yet sickening feeling of vindication, along with support from her mother and grandmother.  By novel’s end, she discovers she is able to forget the incident for a few hours. The memories still return, “But still./A day like today…/It’s possible./I know that now.”

THOUGHTS: Solter’s novel provides acknowledgement of sexual abuse of young people and the difficulty of not being believed when speaking up; this honesty will provide hope for survivors as well. The content, in no way explicit, is appropriate for upper elementary and middle school readers. The Author’s Note states, “My hope for this book is that readers will be encouraged to tell their own truths, and–if someone doesn’t believe them at first–to keep on telling until they get the help they need. Healing takes time…[and] is not only possible, it IS where all of our stories are going” (208).

Realistic Fiction          Melissa Scott, Shenango Area SD
Novel in Verse