What do you do when your mother is an alcoholic assigned to rehab, and your sixteen-year old sister disguises herself as Aunt Lisa to prevent the two of you from being sent to foster care? Thirteen-year-old, Caucasian Eli who identifies as a boy keeps a lot of secrets from good friends: Latino Javi, who is gay, and her crush, Indian-American, Meena. In the ninety days Carrie Reynolds is confined to rehab, her children eke out a life with funds Eli has squirreled away from their mother’s pay checks. But when Eli gets suspended from school for punching bully, Kevin, the same week older sister Anna goes AWOL with her boyfriend, a social worker comes knocking, and Eli and Anna slip out the window. Their road trip brings them to the doors of their respective fathers (John is a role model and completely surprised by his new offspring; the other dear- remembered Sam is deceased but leaves them an extensive letter confessing his care for them both, telling them about saving accounts he opened for them, and revealing that he is gay). Their limited funds, though, force them to head to their estranged Aunt Lisa’s house in Oxbridge, Vermont. She, too, is a recovering alcoholic who lives a simple life sans television or cell phones, works at a college bookstore, and keeps chickens. In the last weeks of their mother’s rehabilitation, the siblings bond with Aunt Lisa, adjust gladly to a non-parentified life, and benefit from attending Al-Anon meetings. When Mom returns from rehab, life is more stable and the siblings’ futures seem on the upswing. Eli is truthful with both friends and receives their full acceptance and understanding, Anna graduates and looks forward to college, and their mother and Aunt Lisa reconcile and support each other.
THOUGHTS: Author Sarah Moon touches on important issues: alcoholism, gender identity, money problems, domestic instability, parental neglect. The narrative is compelling, albeit with contrivances: would a judge grant “Aunt Lisa” custody without both siblings present?; parents are not obliged to attend report card conferences; the social worker would expect to see Anna, Eli, and Aunt Lisa. Still, the plot describing how alcoholism affects the family, and Eli’s struggles with gender are handled well and are important topics for students to see in books.
Realistic Fiction Bernadette Cooke, School District of Philadelphia