MG – The Lucky Ones

Jackson, Linda Williams. The Lucky Ones. Candlewick Press, 2022. 978-1-536-22255-5. 304 p. $18.99. Grades 5-8.

Sixth grader, Ellis Earl Brown, loves school, learning, and his family–all ten of them. Living in rural Wilsonville, Mississippi, in 1960’s, money is tight, work is scarce, and living quarters are crowded and dilapidated for this African American family. Ellis cherishes his time in Mr. Foster’s class where he is nourished with the knowledge of a world outside of his small town and with the teacher’s shared lunches. A dedicated student, Ellis Earl’s greatest fear is that Mama may be forced to make him quit school and relinquish his dream to become a lawyer or teacher or both. In the spring of 1967, Ellis is reading Roald Dahl’s Charlie and the Chocolate Factory and compares himself to Willy Wonka whose family is also cramped into a small space and hoping for something lucky to happen. Earnest and thoughtful, Ellis Earl sacrifices for his family; worries about his sick brother, Oscar; and frets over his Mama’s exhaustion. Still, he is a real person. He corrects –mentally–his siblings’ grammar errors, whines when the rains flood the roads making going to school impossible, and is jealous of his class rival, Philip, who appears financially comfortable. Mr. Foster tells Ellis about the influence of civil rights lawyer, Marian Wright, on the presidential hopeful, Robert Fitzgerald Kennedy. When Kennedy comes to visit the Delta to witness the devastating poverty himself, Ellis is part of the entourage the teacher brings to the airport in Jackson. The highly-anticipated trip is marred by racism, however, when the group stops to eat at a diner, supposedly integrated by law. The Brown family is also one of the lucky ones who get a visit from Senator Kennedy. In a series of connected events, Ellis’s family has the chance to better their lives through the assistance of Mr. Foster and Ms. Wright. Like Willy, Ellis has been given the “golden ticket,” the opportunity to build a life for him and his family through education and social services. Overall, he learns to appreciate the invaluable gift of having the support and encouragement of loved ones over material objects. In The Lucky Ones, Linda Williams Jackson presents a memorable character in Ellis Earl Brown and a realistic picture of a large family handling well what little life brings them. With not a speck of condescension, Jackson describes the bareness of the Brown’s household furnishings, the lack of food, and the struggle to find work. She conveys the rigor of the school and intelligence of its students, despite the hardships surrounding their education: no electricity, no transportation other than the teacher’s kindness, and no medical benefits. Most importantly, she places the reader in the midst of a big family who holler, goad, tease, and boss each other while also watching out and caring for one another. All the positives that sew up the story’s ending may seem too good to be true, but one thing is certain, the closeness of the Brown family makes them the lucky ones.

THOUGHTS: Linda Williams Jackson writes in a forthright way about a time in history I don’t see covered in children’s literature and fleshes out what it is/was like to grow up poor. In the context of the Brown family, being poor is difficult and unfair but respectable. Jackson emphasizes the important roles of government social welfare organizations and the church in supplying the basic necessities of life to needy people. Ellis Earl’s family are not church goers, not because they are non believers, but because Mama thinks they have no appropriate clothes in which to attend a service. Ellis’s desire to go to church has more to do with the free breakfast than devotion. The portrayal of the teachers at Ellis’s school–particularly Mr. Foster–is one of dedication and humility. He drives the students to school in his lime green station wagon, he brings them drumsticks to eat for lunch, he buys Ellis a suit to wear when he is chosen to give a recitation–and all of this dispatched with the conviction and impression that these children deserve such services and more.

Historical Fiction          Bernadette Cooke, School District of Philadelphia

YA – In the Name of Emmett Till: How the Children of the Mississippi Freedom Struggle Showed Us Tomorrow

Mayer, Robert H. In the Name of Emmett Till: How the Children of the Mississippi Freedom Struggle Showed Us Tomorrow. NewSouth Books, 2021. 978-1-588-38437-9. 201 pp. $19.95. Grades 9-12.

Robert H. Mayer opens this collective history of the “Children of the Mississippi Freedom Struggle” with the event that impacted their lives and motivated their activism: The brutal 1955 murder of Emmett Till. Many young people in Mississippi identified with Emmett. They also were Black, close to his age, and knew that a system that allowed such a terrible crime to go unpunished would likely also fail to protect them if they were ever assaulted or imprisoned (whether justly or unjustly). Spurred to action, they rejected the world of Jim Crow laws, organized youth chapters of the NAACP, planned sit-ins and vigils, and spearheaded marches. Profiled members of the “Emmett Till generation” include the Tougaloo Nine, the Freedom Riders, the North Jackson Youth Council, and many more. Brief chapters on the “Elders” of the Mississippi freedom struggle – Medgar Evers, Bob Moses, and Fannie Lou Hamer – appear at intervals, chronicling the contributions of the movement’s architects, especially their impact on younger people. The final chapter poses a question to readers: “Are you encouraged to examine your world and consider ways you and your peers might act to make the world better?” (177). 

THOUGHTS: There’s always room on the shelf for well-written nonfiction with a different perspective on the Civil Rights era, and here Robert H. Mayer focuses on many spirited young activists and the events that shaped their commitment to the struggle. Readers without a strong interest in the topic may find In the Name of Emmett Till slow going, but excerpts would also work well for classroom discussion and research purposes. Note that in a prefatory comment, Mayer discusses his choice to include hateful racial slurs within quotes in order to illustrate “how often people used this word and how comfortable they were saying it” (xii).

323 Civil Rights Movement          Amy V. Pickett, Ridley SD

Revolution…Book Two of The Sixties Trilogy

revolution

Wiles, Deborah. Revolution (The Sixties Trilogy, Book 2). New York: Scholastic Press, 2014. 978-0-545-10607-8. 509p. $19.99. Gr. 5-9.

It’s summer 1964; the Beatles have invaded; troops are heading to Vietnam; the Civil Rights movement is in full force, and Sunny Robinson is a twelve-year-old ready to enjoy a summer of freedom.  With her step-brother, Gillette, in tow, Sunny’s summer is turned upside down before it even begins when they witness a black boy, Ray Bullis, swimming in the “white” pool.  Soon Freedom Summer takes hold in Greenwood, Mississippi, and the northern Freedom Riders begin establishing schools, registering blacks to vote, desegregating the town, and turning a once quaint, southern town into a place of violence, hatred, and distrust.  As Sunny deals with her own family issues, she is thrust into national politics on race, segregation, and war.  Told through alternating narrators (the tint of the pages change as the narration alternates between Sunny and Ray), Revolution, is a beautiful story of growth and understanding during the tumultuous summer of 1964, Freedom Summer.  Similar to Countdown, Book One of The Sixties Trilogy, Wiles again integrates the stories of maturation during a time of tumultuous national and world affairs with pictures, transcripts, quotes, and propaganda from the 1960s, while connecting the novels through Jo Ellen Chapman, Franny’s older sister from Countdown, one of the volunteers who comes to Greenwood, MS, and interacts with Ray and Sunny.

Revolution skillfully weaves together the stories of Sunny and Ray as they mature throughout Freedom Summer with the growth of our nation as it questioned the validity of segregation, Jim Crow Laws, war in Vietnam, voting rights, education, and social issues for all, not just white citizens.  The connectedness of the white and black experience through children is flawless, while maintaining accuracy and a mature understanding of what is happening around them in Greenwood, and throughout the southern United States as Freedom Summer takes hold.  The harsh reality of 1964 is not overlooked because of the age of the narrators, but instead is intensified because of their innocence (this is similar to the narration by Scout in To Kill a Mockingbird).  This is a perfect historical fiction novel for middle school and high school students not only because of the quality of the story and writing but because of the integration of photographs, transcripts, personal stories, and quotes that add to the experience of this novel and a better understanding of Freedom Summer.

Historical Fiction (1964)   Erin Parkinson, Lincoln JSHS, Ellwood City