MG – Amber & Clay

Schlitz, Laura Amy. Amber & Clay. Candlewick Press, 2021. 978-1-536-20122-2. 532 p. $22.99. Grades 5-9.

Told in the alternating voices of Rhaskos and Melisto, this book transports readers to the richness of life in Ancient Greece. Rhaskos is a Thracian slave, serving his masters and making his way through the world with his wits, his passion for art, and his camaraderie with donkeys. Melisto is the daughter of wealthy Greek parents who, try as they might, cannot stifle her wild spirit within the confines of a weaving room. They lead incredibly different lives, but their paths cross when Rhasko’s mother appears in Melisto’s house as a slave. Brightly drawn and multi-dimensional, these two Greek youths are easy to like, even if they are not always easy to understand, and readers will cheer for them when they finally meet and work together to fulfill their destinies.

THOUGHTS: This is the latest offering from Newbery-prize-winning author Laura Amy Schlitz, and it does not disappoint with its lyrical prose and abundant historical details. Full of ancient Greek culture, references to gods, goddesses, and the philosopher Socrates himself, fans of Greek mythology will be happy to immerse themselves in the time and place of this story.

Fantasy Fiction          Erin Faulkner, Cumberland Valley SD

MG – The Legend of Auntie Po

Khor, Shing Yin. The Legend of Auntie Po. Kokila, 2021. 978-0-525-55489-9. 290 p. $12.99. Grades 5-8.

The Legend of Auntie Po is a story about stories, specifically the legend of Po Pan Yin and her trusty blue water buffalo, Pei Pei, as told by 13-year old Mei. Mei lives in a Sierra Nevada logging camp with her father, Hao, who is the camp’s head cook. At night she gathers the little ones around the campfire and shares tales of Auntie Po, the matriarch of all loggers who “stood taller than the tallest white pine.” While gathering kindling in the forest, Mei bumps into Auntie Po and Pei Pei, and wonders if she can actually conjure the stories she tells. This magical revelation collides with the all-too-real anti-Chinese violence of 1885. When the camp manager is forced to fire all of his Chinese workers, Hao must move into town and leave Mei behind at camp. In the midst of this upheaval, stories about Auntie Po allow Mei to express her emotions, which include anger, frustration, fear, jealousy, and also wonder. In her Author’s Note, Shing Yin Khor writes that this graphic novel is, among other things, “about who gets to own a myth.” Some readers will recognize a reclaiming of the Paul Bunyan legend, while others will simply appreciate the stories and accompanying rustic pencil-and-watercolor illustrations.

THOUGHTS: This remarkable blend of history, legend, and art has multiple layers to explore and enjoy!

Graphic Novel          Amy V. Pickett, Ridley SD

MG – Ikenga

Okorafor, Nnedi. Ikenga. Viking, 2020. 978-0-593-11352-3. 227 p. $16.99. Grades 6-7.

Nnamdi is devastated when his father, the police chief of their Nigerian town, is murdered. He vows to get revenge, but a year later, the murder remains unsolved, and Nnamdi is increasingly frustrated as he sees his mother struggling to support them, especially after she is mugged by one of the brazen petty criminals who torment the town. That is when he encounters his father’s spirit, who gives him a small figurine called an Ikenga. Nnamdi soon discovers that the figure imbues him with superpowers like those of his favorite comic book hero, the Hulk, when he becomes enraged. While Nnamdi means to use his powers for good, taking down various local crooks, it soon becomes evident that Nnamdi has to learn how to harness his superpowers before he seriously harms someone. His alternate ego, known as The Man, is garnering much attention in the town and from the press, but not always positively, After nearly injuring his best friend, Chioma, and a classmate, Nnamdi runs away from home and hides, so he cannot endanger anyone else, or himself. However, Chioma, after an interaction with the spirit of Nnamdi’s father, pieces together what is happening and tracks Nnamdi down. With Chioma’s support, Nnamdi learns to control his abilities, unearths who murdered his father, and faces down the local crime boss. Nnamdi is an engaging character with great big flaws to go with his great big heart. Readers will empathize as he makes mistakes along the way, whether it’s jumping to conclusions or being unable to control his rage when he is The Man. Okorafor skillfully places the reader in Nnamdi’s Nigerian town, through use of local dialect and evocative description. One can easily conjure the sounds and smells of the marketplace or Nnamdi’s home. While most of the plot threads are wrapped up by the end of the book, a few loose ends hint at a sequel, which will be eagerly anticipated.

THOUGHTS: Great for fans of myth-based literature, and ties in superbly with Kwame Mbalia’s Tristan Strong series. Unfortunately, the use of profanity may make its placement in an elementary school library problematic, leaving it with a limited audience.

Fantasy          Nancy Nadig, Penn Manor SD