Tag Archives: Sexual Abuse

YA – Dear Medusa

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Cole, Olivia A. Dear Medusa. Labyrinth Books, 2023. 978-0-593-48573-6.  377 p. $18.99. Grades 9-12.

This feminist novel in verse interspersed with texts details the aftermath of Alicia, a young white girl, presumably from Ohio, who has been sexually abused by a seemingly affable, popular teacher whom the reader never meets. Alicia’s parents are recently divorced because of her father’s infidelity; her mother is depressed and her once-accomplished older brother takes to hanging out with a less desirable, racist group of boys. Traumatized by her sexual experience which she has kept secret, Alicia has lost her best friend, dropped out of her beloved track team, and resorted to bad behavior and casual sex with random partners, often men older than she. She is well aware of her bisexuality and her sensual effect on men. Now in her junior year of high school, she starts getting unsigned notes in her locker implying a commiseration. She takes some refuge in her job at the fast food restaurant, Meat Palace–at least when her creepy manager isn’t present, and the support of two new friends: Deja, a straight-talking African American asexual girl and Geneva, a intuitive Pakistani girl who proves to be Alicia’s love interest. As the school year progresses Alicia grows deeper into depression. Though readers are given no description of the abuse, they learn that Alicia returned to her abuser several times. Alicia infers her feelings of guilt and compunction for this conduct.When she is chosen to be part of special all-female study led by a charismatic visiting professor, she starts to find her voice and finally makes a connection with the secret note-writer who has also suffered sexual abuse from the same teacher. The professor encourages the girls to accept their sexuality and speak frankly of sexual matters. In the end, the other girl reveals the abuse to the authorities, but Alicia finds a new sense of freedom and a new connection with her mother.

THOUGHTS: This dark story takes the reader within the mind of a sexually abused girl who reacts to this trauma by taking random sexual partners, often older than herself. It contains some foul language, but no graphic descriptions of her sexual encounters. The writing is the highlight of this novel, but the story is a sad and troubled one. Not many adults come off well in this story, only Alicia’s mother finally comes to her aid and one older co-worker at the Meat Palace.

Realistic Fiction      

YA – Enter the Body

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McCullough, Joy. Enter the Body. Dutton Books for Young Readers, 2023. 978-0-593-40675-5 . 336 p. $18.99. Grades 9-12.

Question: What happens when you place Juliet, Ophelia, Cordelia, and Lavinia in a room beneath the famous Bard’s stage? Answer: They develop a voice and get to tell their story, their way. It sounds like a corny joke but is anything except a joking matter. All wronged by their co-stars and the famous Bard, each young woman has the opportunity to talk through (when able) her experiences in what reads like a group therapy session. The women are given the chance to decide how they would have done things differently if given another occasion and the ability to make their own decisions. Familiarity with Shakespeare’s Romeo and Juliet, Hamlet, King Lear, and Titus Andronicus (I was familiar with all but the last) is helpful for context but not a necessity. Naive readers – or those not familiar with the plays – may miss the seriousness of this tale (all of these characters were seriously wronged and are dead) but will enjoy the story nonetheless. At times this novel in verse reads like a teenage sleepover, with characters constantly interrupting each other. McCullough brings a contemporary voice to these classic characters that will resonate with today’s readers.

THOUGHTS: The audiobook is outstanding! One does not need to like Shakespeare or classic literature and plays – I am not a fan of either – to be moved by Enter the Body. Highly recommended for high school collections.

Historical Fiction

YA – I Kick and I Fly

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Gupta, Ruchira. I Kick and I Fly. Scholastic Press, 2023. 978-1-338-82509-1. $18.99. 336 p. Grades 7-12.

Heera comes from the Nat clan in the Red Light district of Forjesganj, India. Even though she and her older brother Salman go to school, Heera gets distracted because she is so hungry, tired, and dirty. Living in poverty, she desperately wants to escape what seems to be her fate, a life of prostitution. Her mother does back-breaking work pulverizing stones on the highway; her father drinks and gambles away what little money they have. A boiled egg is a rare treat for her little sisters. The whole lane is under the thumb of sex traffickers, Ravi Lala, and the local police officer, Suraj Sharma, who is also the father of Heera’s best friend, Rosy. As the annual Kali Mela Fair draws closer to the Girls’ Bazaar, Heera’s father sees no other alternative but to have his fourteen-year-old daughter join the ranks of his niece, Mira Di, as a sex worker. Thankfully, the school’s kung fu team at the nearby girl’s hostel and especially its teacher, Rina Di give Heera respite and empowerment. She takes to kung fu and its philosophy of being in tune with one’s body easily; it seems agility is in her blood, a maternal descendant of people known for their acrobatic feats. As she begins to win competitions, her confidence builds and belief that another type of life for her family is possible grows. When Heera’s life becomes endangered, she moves into the hostel and, for the first time, knows the luxury of sleeping on a bed, having enough food to eat, and getting enough hours to sleep. As her skill at kung fu sharpens, she sees her success changing her parents. When she learns that Rosy is being trafficked, she joins forces with other survivors to rescue her even though it may jeopardize her standing in a special kung fu competition in New York.  This compelling book tells a harrowing story at a rapid pace and with a delicate hand. The striking contrast of evil and kindness and the vivid descriptions of conditions of abject poverty is tempered with the well-drawn characterizations of major and minor characters. The author’s note reveals that the plot is not all imagination, but based on similar real-life events. I Kick and I Fly is an important book that should hold a spot in every high school library.

THOUGHTS: This book has a lot of heart, probably because it is projecting the truth. It also contains a lot about kung fu and honors Bruce Lee by inserting his sayings and philosophy. One part where the reader may have to suspend belief is Heera’s sophisticated language as she narrates the story. The background on Heera’s education, her inability to keep up with her studies because of lack of food and sleep, deems it unlikely that her vocabulary would be as rich as Gupta presents it. But that’s okay. Readers need to feel her fear, witness the despair of her family, ache with hope at each new achievement. All characters are Indian. Though it does not spare the horrors of sex trafficking, no acts of sex are described. Mira Di, the cousin who has her brothel set up in the back of the houses, experiences physical abuse as well as the sexual abuse, but the reader finds this out after that action takes place. Violence happens, but Heera triumphs with her kung fu moves. I Kick and I Fly can foster awareness of sex trafficking, poverty, injustice, and inequality.

Realistic Fiction  

YA – I’m the Girl

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Summers, Courtney. I’m the Girl. Wednesday Books, 2022. 978-1-250-80836-3. 352 p. $18.99. Grades 10 & up.

When 16 year old Georgia Avis discovers the body of 13 year old Ashley James on the road to infamous celebrity hideout Aspera, it becomes Georgia’s mission to determine what happened to Ashley. She teams up with Nora, Ashley’s older sister, and is thrown into a world of money, corruption, and greed. As a child raised in the shadow of Aspera, Georgia always dreamed of becoming an “Aspera Girl,” girls known for their beauty and exclusive access to celebrities. Georgia’s own naive misunderstanding of Aspera and its employees gets in the way of her realizing the gravity of the situation she has gotten into by becoming employed at Aspera. As time progresses and the truth about Ashley’s death becomes clear, Georgia’s beliefs are challenged and hard decisions have to be made.

THOUGHTS: Summers’ follow up to previous hit thrillers does not leave you wanting.  This title deals with topics such as abuse, rape, and murder much more openly and violently than previous titles by Summers. A content warning is provided at the beginning of the book and gives insight into Georgia’s frame of mind as a naive girl learning about the toughest aspects of the world.

Mytstery          Natasha Lewis, Whitehall-Coplay SD

MG – Caprice

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Booth, Coe. Caprice. Scholastic, 2022. 978-0-545-93334-6. $17.99. 243 p. Grades 6-8.

Sensitive, poetical Caprice is a rising eighth grader with a big decision: should she grab the opportunity of attending a prestigious boarding school or stick with her friends in Newark, New Jersey? Though she loved her seven-week stint at summer camp at Ainsley School for Girls, she is torn because of her closeness to her best friend, Nicole, a budding romance with Jarrett, and her commitment to the Center, the community place that fosters fun and leadership in her neighborhood. Through her poems and flashbacks, the reader learns of sexual abuse that Caprice keeps buried and secreted from her family. She is considerate of her parents’ precarious financial situation because of their faltering business and is scared that her need to be in Newark keeps her mother and father apart. Her return home a week before school starts corresponds with a call from Baltimore informing the family of her maternal grandmother’s serious illness. Caprice’s mother and grandmother have been estranged since Caprice was four-years-old when her grandmother sent Caprice and her mother away from the family home after a dangerous incident. Only Caprice and her grandmother know the real reason for their banishment, but her mother has lived all these years with hurt and resentment, alienated from her mother and brother, Raymond. The reader meets Caprice over an important week when school, friendships, and soul-searching come to a head. Her sporadic panic attacks increase, and she waffles between closing herself off and speaking up for herself in new ways. In Caprice, Coe Booth tackles a difficult topic by mining the memories and feelings of Caprice as she faces her demons and challenges herself to esteem who she is. Caprice’s immediate family is loving and communicative. Her friendships with both adults and kids at the Center are genuine and nicely developed. Though the confrontation with her abuser at story’s end avoids any expected messiness and description, the emotions Caprice experiences throughout the novel will resonate with many readers dealing with changes in their lives. The students at Ainsley are international: New Zealand, Ghana, Toronto. Race is not mentioned directly in the book; however, Caprice gets her locs done and the book’s cover art displays an African American girl, so there are implications that the other characters are African American.

THOUGHTS: Coe Booth lets Caprice’s voice come through in the narration and the typical middle school dialogue with which readers will relate. The thriving Center Caprice attends is core to the community and helps to shape the kids who participate in the different activities it affords, from a Women’s Club, to film making, to dance. Caprice takes part in some neat poetry activities that readers can replicate. Her leadership qualities come out in her refusal to be treated less than boys and to tolerate snide remarks about her body. The adults surrounding Caprice–even though they know nothing about her abuse at the time–are nurturing and say the right things. Caprice’s pride in her neighborhood and loyalty to her friends are good discussion points.

Realistic Fiction   Bernadette Cooke   School District of Philadelphia

Twelve-year-old Caprice should be having the time of her life. She just finished a seven week summer program at a prestigious school in upstate New York, and she has now been offered a full scholarship through high school. She has a week to make the decision to accept the scholarship. She returns to her home in Newark, NJ and learns that her grandmother is seriously ill. This brings back the memories of the abuse that she endured while living there with her grandmother and uncle. She has remained quiet about this abuse and has told no one. The deadline to commit to Ainsley is coming closer and closer, and Caprice is struggling with her past while trying to make a decision about her future. 

THOUGHTS: This book is a powerful read for a middle schooler. It addresses the issue of child abuse – sexual and emotional. It could have some triggers for some readers.    

Realistic Fiction          Victoria Dziewulski, Plum Borough SD

Sometimes it’s hard for kids to decide what they want from life, and what they are willing to let go of, until they are faced with some life-changing events. This is certainly true for Caprice, a smart, motivated, and mature 7th grade girl who has just finished an exclusive summer leadership experience at a private school in an affluent part of Washington, D.C. She loved that school, but she also loves her home and friends in urban New Jersey. After she is offered a full scholarship to return to the private school for her 8th grade year, she quickly must decide whether she is willing to give up her familiar home and her best friend in favor of the school opportunity of her dreams. In addition to the stress of her impending education decisions, past childhood trauma and the declining health of a grandmother she hasn’t seen in years add to her troubles. Will Caprice be able to navigate her painful past, her complicated family, and her new and old friendships to see her way to a brighter future?

THOUGHTS: Caprice and her family are warmly drawn, and her friendships feel so real! This book deals with difficult topics including childhood abuse, family secrets, divorce, adolescent feelings, and confusion about the direction and meaning of one’s life, but everything is dealt with a sensitive and graceful hand that still makes the book a pleasure to read and recommend to students.

Realistic Fiction        Erin Faulkner, Cumberland Valley SD

YA – Punching Bag

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Ogle, Rex. Punching Bag. Norton Young Readers, 2021. 978-1-324-01623-6. $17.95. 217 p. Grades 9-12.

As with his debut memoir, Free Lunch, Latinx author Rex Ogle is honest and sensitive in his recounting of his high school years with his volatile mother, Luciana, and abusive stepfather, Sam. At the book’s opening, Rex’s mother reveals that she has lost an infant girl, Marisa, while seven-year-old Rex was visiting his paternal grandparents. In front of her sensitive son, she is distraught with grief and places the blame at his feet. Ogle carries that guilt with him as he navigates his teen-age years protecting his half-brother, Ford, from the chaos erupting from domestic violence in their tiny Texas apartment. At times, this guilt is assuaged with the remembrance of Marisa, giving him the encouragement and strength not extended by other adults. Though his alcoholic stepfather beats his mother regularly, Rex’s mother refuses to press charges or escape. In fact, in a brief stint when Sam leaves her, she picks on Rex, goading him to hit her. Rex acts as the parent here. He has the maturity to see their household is toxic and to recognize his mother’s mental health issues. From conversations with family members, he gets an insight into the root causes of his mother’s and stepfather’s behaviors. However, he feels responsible for the safety of his younger brother and the financial stability of the family. He receives some emotional support from his grandmother and his mother’s sister; he is able to confess to his stepfather’s brother the physical abuse suffered in their family. Nevertheless,with little adult support from teachers or neighbors, young Ogle is out there on his own with the lone comfort of Marisa’s ghostly voice convincing him her death was not his fault. When Luciana and Sam repeatedly wind up together with little improvement, Ogle has to value his own life and aim for his own dreams to keep him resilient and hopeful. This memoir is an excellent example of bibliotherapy. Ogle does not gloss over the brutality and the bewildering reality of domestic violence and the devastating effect of a parent’s untreated mental health issues on her children. Ogle acknowledges this in the book’s preface with a disclaimer emphasizing his purpose for writing his story is to show that it is possible to survive. Students suffering the same trauma will appreciate his frankness. Contains an informative Q & A with author.

THOUGHTS: The account of domestic abuse as well as physical and emotional child abuse is constant, but Ogle is a talented narrator and compels the reader to endure it. Rex Ogle himself stands out as an exceedingly mature, resilient, compassionate person, despite a lifetime to being put down, parentified, terrified, neglected. It prompts the thought, where was this behavior learned. He records little resentment of being the person in charge of his younger brother. He willingly shoulders adult responsibilities around the house with hidden resentment and–mostly-controlled anger. The book delivers an important message to any students in similar circumstances.

Memoir          Bernadette Cooke, School District of Philadelphia
362.7 Child Abuse

YA – After the Ink Dries

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Gustafson, Cassie. After the Ink Dries. Simon & Schuster, 2021. 406 p. 978-1-534-47369-0. $19.99 Grades 10-12.

Trigger warning: sexual assault and abuse; suicide ideation, self-harm, and attempted suicide; bullying and victim-shaming.

It is fitting that this book begins with a trigger warning, for it is much needed. It is difficult to read of the characters’ experiences in this book without a strong emotional and intellectual response.

The opening chapter plunges the reader immediately into Erika’s world as she wakes disoriented in an unknown bedroom to discover herself naked with Sharpie writing all over her body–crude messages from–she sees later–at least four boys who also signed their names. She struggles to remember the events of the night before–a party…she was so happy with her new boyfriend Thomas’s attention…finally feeling more accepted in her new town….the campfire….she must have passed out. She slowly realizes she’s been assaulted and manages to leave the house unnoticed, but not before hearing four boys gloating over their conquest of Erika, attempting to pull in Thomas, whose response is unknown. Her shame and revulsion is absolute, and all she wants to do is retreat home, remove the filthy writing, and undo the entire past 12 hours.

Meanwhile, the perspective shifts to Thomas, who is dazed by the events and slow to admit to anyone–even himself–what happened at the party. He’s on his way to a coveted, much-planned-for audition to music school, arranged by his uncle in the absence of any fatherly support. He bombs the audition, then scrambles to a double lacrosse practice, where the other guys are ready to tell him how to think about the party (and don’t bail on your friends). Erika and her mom have only been in town for a few months, with her mom taking all the overtime she can as a nurse, and Erika making her way in new teenage social circles. Erika seems to have made friends with Caylee and perhaps Amber, and she’s made enemies with Tina, whose interest was in Thomas. Erika needs a friend, and instinctively thinks of Caylee, but how can she talk to Caylee when Caylee is so proud to be Zac’s girlfriend, and when Zac’s name is written on Erika’s body? Erika tries to act as though nothing is amiss, but Tina’s social media posts start rumors which others only fuel. Ringleader Zac texts Erika simply to torment her. Quickly, Erika becomes a pariah: She’s mentally unstable, a nobody, new to town, sl**, must have wanted it, should have known better, and on and on. With nowhere to turn, Erika seeks to end her life. She is resuscitated and held in the hospital while the boys, their parents and lawyers round up to crucify her. Enter Amber, who emerges as a firehouse of a real friend to strengthen and support Erika (and her mom). The police want details, but Erika wavers. If she doesn’t explain, there will be no repercussions, and maybe this could be over. A visit from Caylee, who has only Zac’s best interest in mind, enrages Erika enough to realize she must speak.

THOUGHTS: Gustafson’s first novel, written in alternating voices of Erika and Thomas, is a terribly real book, leaving readers as witnesses to sexual assault, disbelief of survivors, and seeming powerlessness of young women. The novel very importantly shows that although Erika was not raped, this was sexual assault. After the Ink Dries is recommended for mature readers with a support system to discuss its contents.

Realistic Fiction          Melissa Scott, Shenango Area SD

YA – Muted: A Novel in Verse

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Charles, Tami. Muted: A Novel in Verse. Scholastic, 2021. 978-1-338-67352-4. $18.99. 386 p. Grades 9-12.

Author Tami Charles, who once belonged to rhythm and blues girl group, relates a compelling story reminiscent of the R. Kelly scandal. She chooses a real-life small town between the Pocono Mountains in Pennsylvania and the Catskills in New York. Drawn to each other because they are the few persons of color in their predominantly white high school, three talented girls are overwhelmed and overjoyed to get the notice of a leading recording artist and record producer, Sean “Mercury” Ellis. Denver LaFleur, a curvy, African American with a powerhouse voice, her talented friends Dalisay Gomez and Shakira Brown, sneak behind their parents’ backs to meet with Merc. When Shak drops out because she has suspicions about Merc’s intentions, Merc whisks Denver and Dali to Atlanta where he grooms them to be performers separately in his mansion on Pristine Road. Gradually, Denver takes center stage, while Merc tells Dali she is not ready. Though Denver finds Merc’s methods stringent and mercurial (he limits her calories and takes away her cell phone and internet) and he adapts and takes credit for her original songs, she does get the chance to cut a demo record and make money. Both girls stay with Merc with their parents’ permission (they are only seventeen when he takes them under his wing) because of the possibility of fame and fortune. However, not long into the novel, Denver has difficulty sorting out the rigor becoming a lead singer requires from the torture of being blocked from her family and true love, Dali. Thinking Dali has returned home to Sholola, their hometown, Denver makes clandestine phone call to Shak and discovers Dali is not back in Pennsylvania. Where is she? Using her wiles, Denver explores Merc’s mansion, uncovering a maze of rooms, each one holding captive girls Merc kidnapped. Told in verse, the book is not graphic, but it is brutal. The ending brings some resolution, although not happy ones. The realistic subject matter conveys successful people get away with incorrigible acts is troubling, yet highly readable.

THOUGHTS: Students will draw parallels between this verse novel and R. Kelly, the R & B singer, and similar allegations of captive girls and sexual misconduct. Denver is a sympathetic, authentic character and her involvement in the glittering world of celebrity makes for an interesting, if depressing, read. The setting in Sholola, Pennsylvania, too, is a draw for local readers. The print in the book is extra tiny; hopefully, the published version will be standard size font. Some cursing and descriptions of sexual activity.

Realistic Fiction          Bernadette Cooke, School District of Philadelphia

Best friends Denver LaFleur, Dalisay (Dali) Gomez, and Shakira (Shak) Brown are the trio that make up Angelic Voices, a singing group with hopes of making it big and getting out of their small town Sholola, Pennsylvania. When Denver sees their opportunity to get noticed in front of Sean “Mercury” Ellis (Merc), she grabs her friends’ hands and presses play on a cell phone to cue up the music. Time stands still as the group beautifully blends harmonies, and they begin to see their dreams within reach. Denver is ready to do whatever it takes to make it. But Shak has doubts about Merc who creeps her out, and she has other obligations with her family, church, and basketball. Shak isn’t ready to sneak around and lie to her family to get her big break, so the trio becomes a duo under Merc’s guidance. Denver and Dali leave their families and move into Merc’s Atlanta mansion. Despite small doubts, Denver is mostly okay as long as Dali is by her side (no one else knows of their secret relationship). Merc has rules, though, to keep his legacy safe and keep the creative juices flowing. The girls hand over their cell phones, have no internet access, sleep in separate parts of the house, and only come out of their rooms when permitted, all in the name of getting into the zone. The next time Denver sees Dali, though, Dali has been on a trip with Merc to have a complete makeover including having work done on her teeth so she no longer needs braces. Denver feels a hint of jealousy with the attention Dali’s been getting while she’s been stuck at home with a personal trainer and very limited food. And there’s Merc’s ever present old school camcorder. Fame isn’t quite what Denver thought it would be, and not being in contact with her family starts to get hard. In a few short months Denver’s life looks entirely different, but is it all worth losing herself and everyone she loves in the process?

THOUGHTS: Readers will root for Denver and cringe at the warning signs she misses. This one would pair well with Tiffany D. Jackson’s Grown and is a must have for high school collections.

Realistic Fiction          Maryalice Bond, South Middleton SD

YA – Off the Record

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Garrett, Camryn. Off the Record. Knopf Books for Young Readers, 2021. 978-1-984-82999-3. 320 p. $17.99. Grades 9-12. 

Josie, a high school senior, film aficionado, and journalist, has had her heart set on Spelman College since middle school. She has a great resume and is just waiting for her official early decision acceptance notice. She’s also waiting to hear if she won Deep Focus‘s (her favorite major magazine) talent contest. Josie knows winning will help launch her journalism career. In the meantime, she owes Monique, her freelance gig editor from Essence magazine, an op-ed, but Josie’s anxiety is distracting her. Josie’s parents casually mention that they worry she’s putting all of her eggs in one basket. Josie thinks they just don’t get her, especially since her mom always is pushing her to try a new diet. They try to talk about the “hard time” Josie had in middle school after which Josie switched schools, but Josie insists she’s fine. Josie proves just how fine she is when she is selected as the winner of the Deep Focus talent search. The grand prize will send her on a five city tour for a new film with interview access to the cast and crew. Her parents aren’t so sure about this and only agree if Josie’s older sister Alice – home for winter break from Spelman – can be her chaperone. Alice reluctantly agrees, and Josie leaves for an experience unlike any other. Nothing, however, could prepare Josie for the story a young actress asks her to tell or the feelings Josie develops for the film’s teen star. Is Josie the right person to tell this story, and will it do more harm than good?

THOUGHTS: Readers will empathize with Josie as she struggles to overcome her anxiety and focus on the story she was hired to write. A must purchase for high school libraries.

Realistic Fiction          Maryalice Bond, South Middleton SD

YA – The Life I’m In

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Flake, Sharon G. The Life I’m In. Scholastic Press, 2021. $18.99. 978-1-338-57317-6. Grades 9-12.

In Sharon G. Flake’s best selling novel, The Skin I’m In, Charlese–Char–Jones is the confident bully wreaking havoc on the life of the diffident and vulnerable Maleeka. In The Life I’m In, African-American Char appears as the main character, still inwardly grieving for the loss of her beloved parents, and continuing to make bad decisions. Her older sister and guardian, Juju, has begun to get her life together–stopping the house parties and securing a job in a bank–and needs Char–sixteen and a seventh-grade drop out–to live with their grandparents in Alabama. At the start of this reluctant bus trip, Char is flippant and rude, comical and outspoken. The passengers are alternately annoyed and amused by her unself- conscious antics. When young, white mother, April gets on the bus with her three-month old biracial baby, Char’s maternal instincts urge her to assist April. Bound for a job, April shows the distressed signs of living rough on the streets. To provide for her child, she sells narcotics and sexual favors to truck drivers; she suppresses suspicion about this new employment that requires she pay for the position. When April disembarks the bus with baby Cricket in tow, naive Char decides she will go out on her own and not continue to Alabama. Thinking it is temporary, she volunteers to take care of Cricket when April’s aunt never shows up at the bus station and well-dressed and smooth talking Anthony arrives as April’s ride to Florida. Char enlists all her resources to persuade a hotel proprietor to rent her a suite; she figures out and procures the necessary baby supplies with the money from Juju; she contacts Juju and even the newly reconciled Maleeka to tell them of her actions if not her whereabouts. Char may talk a good game, but she is young, inexperienced, and a virgin. When Char’s funds dwindle and her efforts to find work are hindered by her motherly duties, she runs into Anthony again and, in an attempt to save Cricket, finds herself a victim of sex trafficking. Author Flake describes the depravity of Char’s existence during this time delicately, but does not stint on the truth. Char receives some solace in the community of other girls in Anthony’s pack, who seem to be of different races and backgrounds. When she eventually escapes and is reunited with Juju, Char needs the help of not only her sister, but also Maleeka, her former teacher, Ms. Saunders, and professionals to survive the trauma and feel truly free. The fluid text reflects Char’s actual voice, and her first-person narration gives an intense look into her complex feelings and her maturity as she tries to survive under egregious conditions. Although the stress and suffering Char conveys is painful to read about, readers will find this a compelling book.

THOUGHTS: This is a harsh story to tell, and Sharon Flake tells it well. The book serves as a mirror for those who have suffered sexual abuse or trauma of any kind as well as a window into the lives of people who have experienced homelessness and poverty. The reader leaves feeling not pity but understanding and an admiration for the resilience and effort exerted by trauma victims. It acts as a call for all to refrain from rash judgements and to be kind. Char’s second escape from Anthony seems contrived (would the driver wait for Char as she says good-bye to Maleeka?); however, readers will be rooting for the happy ending.

Realistic Fiction          Bernadette Cooke, School District of Philadelphia